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#infos
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auth-name : holger krekel
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tag : decentralization, edges, questions
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advance costs : N
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need room : Y
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Location : Freiburg, Germany
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Can host ppl : na
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# Secession from the broadcast
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It's time to travel to the edges because this is where the interesting stuff
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happens. "What is popular" is rarely a question that helps finding edges.
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I'd like to recap what i learned in 15 months of my re-juvenated and
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re-energized quest into decentralization and what it might mean.
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For one, I'd like to forward a question from Gene Youngblood's
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[Secession from the broadcast lecture][1]: "how can we create on the
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same scale as we can destroy?". Gene suggests we need to move away from
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the "audience nation" by becoming "political actors" instead of
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"interested spectators of action".
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Second, I paraphrase a thought from Adam Ierymenko's [I want to
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believe][2]: If full decentralization is technically too hard currently,
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can we construct and make use of a "Blind Idiot God" (BIG) instance
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which co-ordinates some communication but can not abuse it or even
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understand what's going on precisely?
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Lastly, I wonder how can we create sustained systems and services if we
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don't want the centralized web service cash cow control model?
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As Laura Kolbag [3] pointed out recently in Nuernberg, paying
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for software might not be so bad if the "free to use" models
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mean surveillance and centralized control. And she notes
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that design and useability should drive open source developments
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instead of features and options.
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The edges are where we encounter the others, those who are somehow unlike.
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It's a place where i easily run into fears and look for friends. At the edges
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there is no central authority suggesting what to think or do next. And
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the number of people at the edges is always lower than in the center.
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But that's fine, this is how things get moving as i've experienced
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myself a number of times now.
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[1] http://www.secessionfromthebroadcast.org/2013/10/29/secession-broadcast-internet-crisis-social-control/
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[2] http://adamierymenko.com/decentralization-i-want-to-believe/
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[3] https://border-none.net/2014/scene-setters#c81
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